Posts Tagged ‘filmmaking’

suck

July 11, 2006

I wrote some more of my script. 2 scenes.

One that wasn’t in it originally, and it was really good. It kind of gave one of my protagonists some more closure. The scene had no words and only one character.

The other scene, was one I had already mapped out, two caharacters, and it goes on and on and on and on and on and it is shit. After contemplating on how badly this scene is shit I realize that in my desire to get to 120 ASAP I’ve left out of all sembalance of conflict (read: drama) between the characters. They all for the most part just poke along the path of the fates I have given them and it’s absolute bullocks! I can’t name a single good movie where every character wasn’t in conflict with every other character nearly always. The characters aren’t pushing themselves, I’ve made them too weak and too floaty.

The rest of the scenes are going to be really really really full of characters butting heads.

**********YESTERDAY THOUGH**************

Watching Peewee’s playhouse stoned was phenomenal. (Of course, I have never smoked pot, so I wouldn’t know).

Blog quote of the day from brian_flemming

I haven’t ingested psilocybin mushrooms for more than X years (where X is equal to the statute of limitations)

Pareidolia Pictures 24 Hour Cinema project

June 14, 2006

Soon, Pareidolia Pictures will be orchestrating a series of 24 Hour Cinema projects.

The first will be shot on July 22nd, 2006 at the Plymouth Coffee Bean.

1. Three writers will arrive at 7am. They will be given a set of guidelines and be given 7 hours to write an original 10 to 15 minute script. After that 7 hours their scripts are taken from them whether they’re “finished” or not.

2. Three directors and three cinematographers will arrive at 2pm. The three cinematographers, directors, and scripts will be matched. The writers and cinematographers will be given 2 hours to work on initial blocking.

3. Actors will arrive at 4pm. They will have 8 hours to rehearse their scripts with the directors and cinematographers.

4. At midnight we shoot each short film whether anyone is ready or not. Each group is given 1.5 hours to shoot.

Within 24 hours, three short films have been made from conception to near completion (editing will be done offsite at Pareidolia Pictures Studios). Everyone participating will recieve a copy of the finished product in DVD form and a split of any money won at film festivals (if any). All $$$ will be split completely evenly. Otherwise, THIS IS NOT A PAYING GIG!

So far the following positions are open:

Writers
1. Miles VanMeter CONFIRMED
2. David Santo CONFIRMED
3. Matthew L. Tuck CONFIRMED

Directors
1. Rob Piazza CONFIRMED
2. Chris Nickerson CONFIRMED
3. Jonah Magar CONFIRMED

Production Assistant
1. Cale Kehoe CONFIRMED

Cinematographers
1. Rob McCauslin CONFRIMED
2.
3.

Actors
1. Kelly Larson CONFIRMED
2. Amoree Joe CONFIRMED
3. Jolynn Carpenter CONFIRMED
4. Jonathan Wax CONFIRMED
5. Joe Prism CONFIRMED
6. Jay “H” Wilson CONFIRMED
7. Lauren Furlong CONFIRMED
8. Sofia Uka CONFIRMED
9. Kirk Dunn CONFIRMED
10. Jeremy Kucharek CONFIRMED
11. Rob Speez
12. Amy Cordara

Any interested parties should contact pareidoliapictures@gmail.com

Click here for the flyer (PDF)\

Killing Molly

December 14, 2005

I just met up with Eric Novack…

I bought the rights to Killing Molly.

Pareidolia Pictures first feature film.

December 1, 2005

Black Mail Pictures is pleased to announce:

WE ARE TAKING SUBMISSIONS FOR A SCREENPLAY TO PRODUCE!!! Yes, that’s right! Here are the requirements:
1. An original work (not based on any work you don’t own the rights to),
2. runs 90 to 120 minutes
3. Low to no budget (we’re looking to shoot with 10 to 20k)
4. Completed scripts only!

We will not rip off your script, we assure you, but for your own safety before you send anyone a script : COPYRIGHT YOUR WORK THROUGH THE WRITERS GUILD OF AMERICA!!! It’s cheap and legally binding. We accept scripts in any format (final draft, celtx, word, pdf, etc.)

No one will read this til I’m famous, but hey… I’m big in Japan.

November 23, 2005

A letter to me about the Black Mail Pictures”

Dear Mr. Pseudonym,

You wrote:
“If you would like to work for us/with us you must agree to our 3 core philosophic views:

1. We believe in independent film. We believe that independant film consistantly overreaches Hollywood in quality of art and creativity.

2. We are against the status quo. “Art is not a mirror held up to reality, but a hammer with which to shape it” – Bertolt Brecht.

3. We create films for their contribution to art and argument, not for the money. We hope to one day be able to live off of our film work, but if not, then so be it.”

As to point #1, I can tell you that I don’t believe in “independent film.” Nor do I believe in branding dozens of competing film/television/record/interactive media studios under one name “Hollywood.” I believe in good movies, be they made by James Cameron or by John Cassavetes. It really doesn’t matter much to me, just as long as they’re good. the rest of his letter

Further West shoot 2.0

November 13, 2005

fuck chronology, I’m recounting this in sections rather than based on how they happened.

part I:

Our Black Mail Pictures LLC meet up failed, most the people couldn’t show up but were still interested in developing something. It was short notice, so after no one showed up, I called this kid Mark that Crotch introduced me to. He meets up with me and Jay. He’s written a few screenplays and he lived in the area, so we networked somewhat. I had gotten a copy of one of his scripts a week or 2 before and read a bit of it.

This guy spends all of his time at coffee shops and diners writting in little notebooks, sounds and looks feminine. Weird all around in many ways. Cocking’s guess was that he was a schizophreniac. Reading his script and hearing him tell me about his other ones made me think of him as a Frank Capra / Harold Lloyd type writer (all the stories have a moral protagonist who is seen as peculiar by a corrupt society, then through perserverance and staying true to himself the protagonist is justified in his goals). Which is great, if you like crap. Every single one of his ideas was like a mixture of 5 other movies that weren’t that good to begin with. But, he writes a great deal about nothing. Conversely, me and Jay have good concepts and story lines but have trouble getting them written out to 120 pages. so adding our 2 failed approaches I thought we might get somewhere.

After hearing him blather on about his cliche film ideas starring 2 dimensional characters for an hour I try to breaking it past him that Black Mail Pictures is going a completely different direction. I describe the story we’re working on, about how its focused on a suicide cult that murders a newborn, hundreds of people die while vomitting everywhere and screaming, and the only thing slightly romantic takes place due to stockholm syndrome. . .
his comment: “that’s insane.”
my comment: “good insane or bad insane?”
his comment: “I don’t even understand why you would want to do that”

I then explain how the theme of the book is that no religion can know they are correct and extremism for what you consider to be good will cause you to be evil, and churches are no different than cults. He still doesn’t like it. Me being the constant over-optimist still think a working film relationship may happen.

FAST FORWARD: He comes over to work on the film. Nearly everyone there is smoking pot out of a skeleton bong. Mark is a pasty white guy that plays accoustic guitar at open mic nights. The cast that is there is DJ Wax (a bmi rap/techno artist), Corey (this really cool dude, who, if you didn’t know him and were from the suburbs, one might stereotype as thuggish), and Rob Jesus (hippie intellectual extrodinaire). Me and Jay go downstairs to clean up, at the time, Mark is reading the end of the script (he hasn’t fully read it yet)(the script ends in plenty of blood spill). When we come back he has left to go buy cigarettes. I tell Jay “Watch, I bet he got scared and drove off”. I was right. Black Mail Pictures ain’t nothin’ to fuck with.

Part II:

I should explain my last post where I said that Joe M shouldn’t have been invited to the movie. Originally I called t00ls0b3r when were were trying to drastically pull together people as a crew. Joe, as usual, had a date with basic cable and couldn’t be bothered. I pleaded for him to help. He refused, but that’s the way he is, he doesn’t like doing things.

I had left my coffee maker at home, and after talking with Mark for over an hour we were running late. We ask if we can borrow Joe’s coffee maker, since we’ve already bought coffee and filters. He says “you can have it, that thing sucks” or some similar comment. I assure him “no, I’ll return it, I already have an extra coffee machine”. We go to Joe’s on the way to the shooting location. After exiting (I’m carrying the coffee machine), my phone rings, it’s Wax. I hurriedly hand the coffee machine to Jay while I give Wax (who can’t navigate through a drive-thru) directions. Within the 2 minute walk to the house, jay drops the coffee pot, shattering it into middle-of-the-street oblivion. Crisis was later averted by the Dunkin Donuts near the shooting location that offers boxes of coffee similar to the boxes of wine.

So then, after Joe M had refused to help. Cool people show up to help on the movie: Rob Jesus (script supervisor), Joe W (second camera, then later first camera), teaming with Jay (director), we are doing pretty well. I text joe M telling him not to bother coming because we don’t need him. Then, Joe M decides to text me back saying he’s coming over. My thoughts were he could do lighting since they were a bitch moving between shots, and the other crew was already busy doing something else. . . . Joe M changed the lights a few times, but not nearly as many times as he dicked around like a middle schooler on a field trip. He slowed production more than not having a “lights person” would have.

PART III:

I had to act as the Rocco character since the actor slated got pnemonia, and the replacement had things shoved up his cock by doctors. I’m not sure how well I did at all, but I guess it was passable. We got 75% done. We got REALLY giddie at the end of the movie, we laughed so hard we cried. The actors will come back eagerly. It was a great film experience. Our speed was slow, but I think it was through a lack of practice. I wish I was on the other side of the camera. I don’t know how it will turn out, maybe there will be time for re-shoots.

I think Sofia, Wax, Joe W, and Rob were amazing and I’d like to base Black Mail Pictures around them or people like them rather than a lot of these corpo retards filling my inbox lately.

GOODNIGHT!

NOW NOW NOW NOW NOW!!!

November 11, 2005

We ARE shooting Further West(.pdf), the 20 minute suspense film on friday NOVEMBER 11. We neeeeed lots of things to make this work. Mainly VOLUNTEERS. We cannot pay you, but be our bitch for a day and I will owe you for the rest of my life. This short film is most likely the only real stepping stone into the film industry (independent film industry) me or The Commodore will have. The coming friday is a make or break type thing. I’m still going to continue writing films, but I don’t want to be old (30+) before I can do what I love for a living. We are shooting from 10PM to 6AM friday Nov. 4th. Beer, Coffee and Food will be provided to anyone willing to work on the film. YOU DO NOT NEED EXPERIENCE TO WORK ON THE FILM.

LEAVE A COMMENT OR CALL
248. 305 8846
IF YOU THINK YOU CAN VOLUNTEER FOR THE FILM.

thanks,
Stevezie Pareidolia

New film company starting up

November 4, 2005

Hello fellow filmmakers,

How many of us want to make films for a living, but have no real entry into a tangible paying film job? *raises hand* Well, myself, a friend, and a bunch of other people I’ve met all have this same problem so we’re starting a new film company: Black Mail Pictures.

The idea is to get talented people who’ve never gotten a real swing at independant film together, all of whom are desperate for success. With our pooled talents in different areas we should be able to get this puppy off the ground. (since when do puppies leave the ground?).

We want the company to be run pretty democratically, but if person A only wants to make slasher films and person B only wants to make childrens films, obviously it won’t work. So there will be a screening process then a meeting to further discuss what we all think this company should be about and what it can do.

Please reply
or email
blackmailpictures@gmail.com

Go time.

October 27, 2005

We ARE shooting Further West(.pdf), the 20 minute suspense film in a week on friday. We neeeeed lots of things to make this work. Mainly VOLUNTEERS. We cannot pay you, but be our bitch for a day and I will owe you for the rest of my life. This short film is most likely the only real stepping stone into the film industry (independent film industry) me or The Commodore will have. The coming friday is a make or break type thing. I’m still going to continue writing films, but I don’t want to be old (30+) before I can do what I love for a living. We are shooting from 10PM to 6AM friday Nov. 4th. Beer, Coffee and Food will be provided to anyone willing to work on the film. YOU DO NOT NEED EXPERIENCE TO WORK ON THE FILM.

LEAVE A COMMENT IF YOU THINK YOU CAN VOLUNTEER FOR THE FILM.
thanks,
Stevezie Pareidolia

 

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The Results

September 28, 2005

Nick Zedd has a livejournal…. nickzedd

That awesome, now I have yet another director to follow like a bad habit.

When do I get my stalkerazzi? nm. I already do.